Last week I bought How to be an illustrator by Darrel Rees. I also spoke to my boss about my plan to move to Hong Kong in the fall. It’s a loose plan, but it’s something that Dave and I have been wanting to do for over a year now. It’s scary but I’m not that young anymore, so there’s no time to waste. If I want to do something like move to the other side of the planet and try to make be a freelance illustrator, it is now or never!
I haven’t read the whole thing yet, but just from the first few chapters a few things have already dawn on me:
My own style
I kinda already knew this but I think I need a more distinct style. My illustrations could also do with a little more depth, more layers, more textures. I want to experiment a bit. Another thing is that if I want to do editorial style illustration eventually, I’m gonna have to be more clever. Humph.
Other things I want to work on
Since we’re on the topic, I think I need to work more on ideation and lateral thinking. I don’t think I’m good enough at taking different sources of inspiration and combining them. I’m actually best at the opposite: taking a big ol’ mess and straightening it out into orderly little piles.
The biggest dealbreaker might be my lack of self motivation, will-power and self discipline. I’m not sure how I’ll be able to wake up each morning at a decent time and just WORK. The ritual of commuting, even if it is a short walk or bike ride makes me feel purposeful. If I’m working from home, I might just spend the whole day watching TV and eating chips.
OR! The other thing I’m worried about is the loneliness of working by myself. I get so lonely! I like talking to people! I need other people! I don’t know what to do about this one.
Disadvantages
Besides being lonely, I am also disadvantaged because I don’t know any illustrators, I didn’t go to an illustration program, and I don’t have any friends in the illustration industry. I have no illustration network.
Advantages(?)
But I do have some design friends, so hopefully that will be something. Also I am an art director, so I know what it’s like to hire and commission illustration. I know what it’s like to work with illustrators and I know what I enjoy when I work with them. I also know how annoying it is dealing with difficult illustrators and how I like working again with the pleasant ones.I know what good sketches look like. I can tell the difference between the pros and sloppier artists.
Anyhoo, I guess I still have time to figure these things out. I just have to keep on drawing and make the time to work on my portfolio. Tomorrow we’re going to a cottage to spend the rest of the long weekend with our friend Janice, because it’s her birthday! Huzzah!
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